A Preview, in Ink

Hello, loyal followers! I have a confession to make — It has somehow gotten to be Thursday night, and I’m a bit behind on tomorrow’s page, due to, well, life, and summer, and so forth (imagine me looking rather sheepish here).  I spent so long perfecting the script that I’m now making up time to create a proper backlog of pages so they will all come out on their proper dates at 6AM PDT (do any of you really get up that early? Of course you do, some of you are even on different continents!). Please know that I am now in Painting Like The Wind mode, and will have tomorrow’s page out… tomorrow. Just not at 6 AM. Sometime tomorrow.

But in the meantime, in case you are going away for the weekend and will miss tomorrow’s page, and will pine away, not enjoying your vacation unless you know what is going to happen, here is a rare look at my inked version, before I slather watercolour all over it! Kind of has a minimalist charm, doesn’t it?

Page one of Chapter 2: Pigma Micron pens on Opus Watermedia paper. Sami is still mesmerized by what she has seen in the water!

Page one of Chapter 2: Pigma Micron pens on Opus Watermedia paper. Sami is still mesmerized by what she has seen in the water!

Interlude: A Map of the Westwind Isles

A Map of The Westwind Isles: from the Redwing Archives

A Map of The Westwind Isles: from the Redwing Archives

What fantasy story would be complete without a map? Since Sami is setting off on her voyage, the first order of business for me was to make a map so we can follow along! I’ll put this in its own tab at the top of the page so that it’s easy to find when you need to see where the action is taking us.

I had a lot of fun making up names — in fact, I had to restrain myself so that I didn’t name every little islet! There are actually a lot of little towns and villages scattered among the islands, but if I started naming them all, you wouldn’t be able to see the map. So  I just stuck with places that will be relevant in the story (probably — we may not get to places like Bear Lake, in this story arc, anyway).

Apart from the original sketch, I made this map entirely in Photoshop. I’m still quite a newbie at it, and every time I use it, I find something new to do with it. This time I figured out how to make my lettering do an arc shape. And I tried a new blending mode for the mountains layer. Hooray! Knowledge increases!

And yes, I know I used Papyrus for a font; but I like it, so there. I may eventually do a handmade version of this, in which case it will be hand lettered.

The actual story will resume on Friday, and I’ll be posting Mondays and Fridays, as I did for the first chapter. Stay tuned!

The Music of the Waves

Hello, Denizens of the Internet Sea!  I hope you’ve all been swimming about happily in the summer sunshine. Myself, I took a brief break this past weekend; I desperately needed to get away and get some perspective on life — and for me, the place to do that is down by the sea.

"Dawn Fog" Watercolour

“Dawn Fog”
Watercolour

West about an hour from Victoria, BC, is a place called French Beach. It’s a provincial park with a campground, in a beautiful forest next to a cobblestone and sand beach. There are silvery driftwood logs to sit on, and the smooth, many-coloured stones hold the heat of the sun — you can lie on them, after wriggling around to make a nice comfy hollow, and soak up the heat from below while the cool breeze blows over you. There is always a cool breeze; the Pacific Ocean is like a giant refrigerator, and although it may be properly summer-hot half a kilometre inland, by the ocean you need a sweater. Or two.

On Friday, I was basking on those stones, leaning on a log with two friends, sleepily gazing at the gentle waves lapping the sandy part of the beach and being lulled by their music. The distant horizon, where normally one would see the Olympic Mountains across the strait, was misted over, and it looked like there was nothing between us and China. I found myself drowsily contemplating of all the things that could be under that silvery surface. There could be whales just out of sight, or giant squid, or sea serpents. There were certainly undersea gardens; I could just see the tops of the kelp floating in great rafts on the surface. I knew from kayaking over those same beds, gazing down into the clear waters on a still day, that the kelp’s holdfasts are attached to rocks many metres below, making a whole undersea forest for fish and tiny creatures.

The night before, I had lain awake listening to the wind rushing through the trees and the breakers crashing on the shore. Sometimes it was hard to tell the sounds apart. The night sea sang a song of power, a duet with the wind; I could imagine King Neptune himself out there, gleefully hurling bits of his kingdom at the alien land, eroding and claiming it to pave his pelagic halls. Sitting in the sun the next day, the languid fingers of the waves rolling the rocks together in delicate, tinkling cascades of sound, I thought of how many different tunes water can play. Or perhaps it is all one symphony, never-ending, and ever changing.

I fell to imagining what it must sound like underwater to those who live there. Not like the sloshing noise and muffled shouts of playing kids that you get when you duck under the surface at the pool — it must be like hearing the planet breathing. The sound of the waves above instead of the wind and the gulls and ravens; the rustling of anemones and sea fans and eels slipping in and out of their caves instead of the hooting of owls and rabbits rustling through the grass. And you would feel it on your skin, and reverberating through your blood, not just in your ears. If you were able to make sounds, like the whales, like the mermaids, your songs would pass right through other creatures, changing them for a moment into a part of you, a language far more intimate than our words carried on the thin air.

At last I had to return to the dry stones and the forest; but something had been conveyed to me by the chanting waves. I took away a kind of peace, an urge for a slower rhythm. Here’s the thing: if you can go to the sea, do so as often as you can, and listen carefully. Even if you are nowhere near the sea, remember that you carry its salty song in your veins; keep a large seashell at hand so you can listen to its echoes. And don’t forget to sing along.

Beneath the Surface Watercolour

Beneath the Surface
Watercolour

Cartography, At Last

I love drawing maps. As a kid I drew pirate maps on old brown grocery bags, burning the edges to make them look old (with Mom’s help). In geography class, I lived for the feel of onionskin tracing paper, and the traced and coloured maps we were assigned. I had great fun recently making an updated map for Elizabeth Ann Scarborough’s Seashell Archives series. And at last I get to make one for my own world, the world of Mermaid Music.

I’ve had the shape of what the world looks like, or at least Sami’s little corner of it, in my mind for some time. Those familiar with the area around the west coast border of British Columbia and Washington State may recognize some influences here, though I’ve kept it very loose (I didn’t even look at a map because I didn’t want to get too close). My concept of the islands trade and the voyage The Mermaid will be taking grew out of the landscape of my home, on what we call the Salish Sea, which includes all the straits, sounds, and bays between our islands and the mainland, so it seemed a natural place to start.

This drawing was entirely made in Photoshop, based on a pencil sketch. There's still a lot of work to do, to give the land some more form, add place-names, a compass, and maybe a couple of "here there be dragons" kind of things!

This drawing was entirely made in Photoshop, based on a pencil sketch. There’s still a lot of work to do, to give the land some more form, add place-names, a compass, and maybe a couple of “here there be dragons” kind of things!

This drawing is a work in progress of the area where the next bit of the story will take place, or at least start. The Mermaid and her crew will be heading even further south, and I’ll expand the map as we go. As for names, I have a few, though the map is only roughed in, so I haven’t written them in yet. I’ll present a more finished version soon. (UPDATE: there is now a “map” tab in the top menu bar!)

Sami’s home is the island near the top with the two lakes. The little round bay on the west side of the island (assume standard map directions) where the two rivers come to the sea is Moon Bay, where the action so far has been taking place.